Prologue:
As a cycling fan, I have come to love prologues. In cycling, they are our chance to see how our favorite cyclists are prepared to race in the coming days. So Manovich’s use of this prologue is a welcome addition to his text; one that I am highly receptive of. And in this first page of the prologue, I encounter an interesting idea. Manovich writes, “in contrast to cinema, where most ‘users’ are able to ‘understand’ cinematic language by not ‘speak’ it (i.e., make films), all computer users can ‘speak’ the language of the interface” (xv). This is an interesting idea…. Why? Do I believe that all computer users can speak the language of the interface? I honestly believe that most of us are speaking a pigeon version… because doesn’t speaking imply fluency? And I would absolutely argue that most interface users are not fluent in the language of that program. Manovich certainly doesn’t assert that all users are fluent speakers, but there is something about his statement that makes me think that it is perhaps overstated… I would almost argue that I know as much about movie making as I do about using computer interfaces.
On xvi, Manovich says, “cinematic perception [in computer games] functions as the subject in its own right,” which makes me think of the use of the Steadi-Cam in film. I remember reading about a scene in Friday the 13th, in which Jason walks down a hallway and we are viewing the hallway through his hockey mask. The Steadi-Cam, by the way, was only invented in 1976.
Further into the prologue, I read the following,
“When photographs are brought together within a single magazine or newsreel, both the scale and unique locations of the objects are discarded—thus answering the demand of mass society for a ‘universal equality of things’” (xxi). It may just be that the idea is explained completely in the chapter that contains this pull quote, but I am not sure I understand this idea. Does removing scale and unique location create a “universal equality”? How exactly is scale removed from a photograph? Isn’t that an inherent quality of a photograph? Doesn’t the same hold true of unique location? I mean, the photograph itself isn’t in a unique location, but the information that is viable and valid about a photograph is mostly what the image consists of. And this idea that mass society demands a “universal equality of things”… what?
I applaud Manovich’s desire to record for posterity the emergence of this new media we are experiencing. It’s an interesting idea that once we become familiar with an idea or technique that it turns invisible to us. It’s incredibly true, but still something that I have not considered. This reminds me of children who are learning to speak. They grasp grammar rules on such a subconscious level that when they get older and can understand that their speech is guided by rules, it is still difficult to identify what the rules are. They have become invisible.
Finally, I love the description of the St. Petersburg art festival on page 5. Dancers, on stage, improvising to the music of the painter’s painting. Amazing.

